Design : the Italian way
Studying the progress of Italian exports over the last twenty years, everyone notices that what could be described as the traditional sectors of « made in Italy », in the field of consumer goods or consumer durables, have maintained a dominant position, notwithstanding the forecasts of those commentators who believed that the Italian exports system would undergo a drastic reduction as a result of its inherent characteristics.
Danilo Longhi (from the volume « Design: the Italian way »)
The reasons for the sector’s success and its conquest of significant market shares include, from the companies, the consciousness of a perpetual change; ever-higher standards of quality and a skill at converting creativity into innovative product ranges able to meet the expectations of customers and attract their attention, notwithstanding an environment of increasingly intense competition.
This situation is particularly true today for the sector of furniture and furnishings that is traditionally an important segment of Italian exports.
However, it is evident that the quest for innovation and creativity, often embodied by a host of small companies located in certain geographical areas specialising in furnishing, is not sufficient in itself for sustained success, without a powerful activity of communication and promotion at international level.
66 Italian Chambers of Commerce!
The organisation of Italian Chambers of Commerce over the world, with 66 chambers, is particularly aware of the necessities of promoting the « made in Italy » sector. As it is established in forty countries, it gave its support to any new project, conscious of the importance of the furniture design sector in the Italian economy and the prestige of Italian design all over the world; but equally aware that concerted effort and great attention to promotion are essential to maintain the position reached. These chambers abroad take particular care of the opportunities of enhancing and divulging the aspects delineating Italy’s image and its culture of enterprise. Therefore projects represent initiatives that are coherent with their own mission.
The world of design is unique, and it offers a meaningful depiction of the combination of human, artistic and business qualities characterising the Italian manufacturing structure. It also includes companies that are often different from one another, in terms of dimensions but also of resources. Probably the common denominator of all these different structures is their professional approach, and also their spirit of enterprise and the desire to try out innovative solutions.